But Froebel, in his unbusiness-like way, published all these
productions privately. They came out of course under every disadvantage,
and could only reach the hands of learned persons, and those to whom
they were really of interest, by the merest chance. Further, Froebel, as
has already abundantly appeared, was but a poor author. His stiff,
turgid style makes his works in many places most difficult to
understand, as the present translators have found to their cost, and he
was therefore practically unreadable to the general public. In his usual
self-absorbed fashion, he did not perceive these deficiencies of his,
nor could he be got to see the folly of private publication. Indeed, on
the contrary, he dreamed of fabulous sums which one day he was to
realise by the sale of his works. It is needless to add that the event
proved very much the reverse. As to criticism, it was particularly the
"able editor" Harnisch who pulled to pieces the "Menschen Erziehung" so
pitilessly on its appearance, and who is probably here referred to.
[107] This passage may serve as a sufficient illustration of Froebel's
metaphysical way of looking at his subject. It is scarcely our habit at
the present day to regard the science of being (ontology) as a science
at all, since it is utterly incapable of verification; but it is not
difficult to trace the important truth really held by Froebel even
through the somewhat perplexing folds of scholastic philosophy in which
he has clothed it.
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