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England, George Allan, 1877-1936

"The Air Trust"


Here everything suggested harmony. The mahogany wainscotted walls were
decked with fine portraits of the world's great masters of melody.
Handsome cabinets contained costly and elaborate collections and folios
of music, a complete library of the entire world's best productions. The
girl's harp--a masterpiece by Pestalozzi of Venice--stood at one side;
on the other, a five hundred dollar Victrola, with a wonderful
repertoire of records. But the grand piano itself dominated all,
especially made for Catherine by Durand Freres, in Paris, and imported
on the Billionaire's own yacht, the "Bandit." A wondrous instrument,
this, finer even than the pipe-organ in an alcove at the far end of the
room. It summed up all that the world's masters knew of
instrument-production; and its cost, from factory to its present place
at Idle Hour, represented twenty years' wages, and more, of any of
Flint's slaves in the West Virginia mines or the Glenn Pool oil-fields
of Oklahoma.
At this magnificent piano the girl now seated herself, on a bench of
polished teak, from Mindanao.


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