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England, George Allan, 1877-1936

"The Air Trust"

And, turning to her father, who had sunk
down in his favorite easy-chair of Russia leather, she asked with a
smile:
"Well, daddy, what shall I play for you, to-night?"
He looked at her a minute, before replying. Never had she seemed to
dear, so beautiful to him. The rose-tinted light that fell softly from a
Bohemian chandelier over her head, flooded her coiled hair, her face,
her hands, with soft warm color. The slight dressing that her wound now
required was covered by a deft arrangement of her hair. She had regained
her usual tint. Nothing now told of the accident, the close call she had
had, from death, so short a time before. And old Flint smiled, as he
answered her:
"What shall you play? Anything you like, my dear. You know best--only,
don't make it too classical. Your old father isn't up to that ultra
music, you know, and never will be!"
She smiled again with understanding, and turned to the keyboard. Then,
without notes, and with a delicate touch of perfectly modulated
interpretation, she began to render "Trauemerei," as though she, too, had
been dreaming of something that might have been.


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