Here one saw Millet's
"Sower," and "Gleaners" and "The Man with the Hoe." There, Fritel's "The
Conquerors," and Stuck's "War." A large copy of Bernard's "Labor,"--the
sensation of the 1922 Paris Salon--hung above the mantelpiece, on which
stood Rodin's "Miner" in bronze. Portraits of Marx, Engels, LaSalle and
Debs, with others loved and honored in the Movement, showed between
original sketches by Walter Crane, Balfour Kerr, Art Young and Ryan
Walker. And in the well-filled bookshelves at the right, Socialist books
in abundance all told the same tale to the observer--that this was a
Socialist nest high up there among the mountains, and that every thought
and word and deed was inspired by one great ideal and one alone--the
Revolution!
At a plain but well-covered table near the western windows, where fading
sunlight helped firelight to illumine the little company, sat three
men--two of them armed with heavy automatics--and a woman. Another
woman, Catherine, was standing by her chair and beckoning Gabriel to
his.
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