The task which he actually
chose was not calculated to promote his happiness. We must look back to
an earlier period to explain its history. During the last years of Queen
Anne, Pope had belonged to a "little senate" in which Swift was the
chief figure. Though Swift did not exercise either so gentle or so
imperial a sway as Addison, the cohesion between the more independent
members of this rival clique was strong and lasting. They amused
themselves by projecting the Scriblerus Club, a body which never had, it
would seem, any definite organization, but was held to exist for the
prosecution of a design never fully executed. Martinus Scriblerus was
the name of an imaginary pedant--a precursor and relative of Dr.
Dryasdust--whose memoirs and works were to form a satire upon stupidity
in the guise of learning. The various members of the club were to share
in the compilation; and if such joint-stock undertakings were
practicable in literature, it would be difficult to collect a more
brilliant set of contributors. After Swift--the terrible humourist of
whom we can hardly think without a mixture of horror and compassion--the
chief members were Atterbury, Arbuthnot, Gay, Parnell, and Pope himself.
Parnell, an amiable man, died in 1717, leaving works which were edited
by Pope in 1722. Atterbury, a potential Wolsey or Laud born in an
uncongenial period, was a man of fine literary taste--a warm admirer of
Milton (though he did exhort Pope to put Samson Agonistes into civilised
costume--one of the most unlucky suggestions ever made by mortal man), a
judicious critic of Pope himself, and one who had already given proofs
of his capacity in literary warfare by his share in the famous
controversy with Bentley.
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