The whole of this elaborate machinery was devised in order that Pope
might avoid the ridicule of publishing his own correspondence. There had
been few examples of a similar publication of private letters; and
Pope's volume, according to Johnson, did not attract very much
attention. This is, perhaps, hardly consistent with Johnson's other
assertion that it filled the nation with praises of his virtue. In any
case it stimulated his appetite for such praises, and led him to a fresh
intrigue, more successful and also more disgraceful. The device
originally adopted in publishing the Dunciad apparently suggested part
of the new plot. The letters hitherto published did not include the most
interesting correspondence in which Pope had been engaged. He had been
in the habit of writing to Swift since their first acquaintance, and
Bolingbroke had occasionally joined him. These letters, which connected
Pope with two of his most famous contemporaries, would be far more
interesting than the letters to Cromwell or Wycherley, or even than the
letters addressed to Addison and Steele, which were mere stilted
fabrications. How could they be got before the world, and in such a way
as to conceal his own complicity?
Pope had told Swift (in 1730) that he had kept some of the letters in a
volume for his own secret satisfaction; and Swift had preserved all
Pope's letters along with those of other distinguished men. Here was an
attractive booty for such parties as the unprincipled Curll! In 1735
Curll had committed his wicked piracy, and Pope pressed Swift to return
his letters, in order to "secure him against that rascal printer.
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