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Stephen, Leslie, 1832-1904

"Alexander Pope English Men of Letters Series"

A genuine report of even the best conversation would be
intolerably prosy and unimaginative. But imagine the very pith and
essence of such talk brought to a focus, concentrated into the smallest
possible space with the infinite dexterity of a thoroughly trained hand,
and you have the kind of writing in which Pope is unrivalled; polished
prose with occasional gleams of genuine poetry--the epistle to Arbuthnot
and the epilogue to the Satires.
One point remains to be briefly noticed. The virtue on which Pope prided
himself was correctness; and I have interpreted this to mean the quality
which is gained by incessant labour, guided by quick feeling, and always
under the strict supervision of common sense. The next literary
revolution led to a depreciation of this quality. Warton (like Macaulay
long afterwards) argued that in a higher sense, the Elizabethan poets
were really as correct as Pope. Their poetry embodied a higher and more
complex law, though it neglected the narrow cut-and-dried precepts
recognized in the Queen Anne period. The new school came to express too
undiscriminating a contempt for the whole theory and practice of Pope
and his followers. Pope, said Cowper, and a thousand critics have echoed
his words,--
Made poetry a mere mechanic art
And every warbler had his tune by heart.
Without discussing the wider question, I may here briefly remark that
this judgment, taken absolutely, gives a very false impression of Pope's
artistic quality.


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