" But such a thing as "motiveless malignity" is not in nature,
Iago's villainy is too cruel, too steadfast to be human; perfect
pitiless malignity is as impossible to man as perfect innate goodness.
Though Iago and Othello hold the stage for nine-tenths of the play
Shakespeare does not realize them so completely as he realizes Cassio,
an altogether subordinate character. The drinking episode of Cassio was
not found by Shakespeare in Cinthio, and is, I think, clearly the
confession of Shakespeare himself, for though aptly invented to explain
Cassio's dismissal it is unduly prolonged, and thus constitutes perhaps
the most important fault in the construction of the play. Consider, too,
how the moral is applied by Iago to England in especial, with which
country neither Iago nor the story has anything whatever to do.
Othello's appearance stilling the riot, his words to Iago and his
dismissal of Cassio are alike honest work. The subsequent talk between
Cassio and Iago about "reputation" is scarcely more than a repetition of
what Falstaff said of "honour.
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