in old age, and to Henry V., a youth at the time, who probably
never knew what a sleepless night meant. Shakespeare's
alter ego,
Valentine, in "The Two Gentlemen of Verona," suffers from it, and so do
Macbeth and Hamlet, and a dozen others of his chief characters, in
particular his impersonations--all of which shows, I think, that from
the beginning the mind of Shakespeare was too strong for his body. As we
should say to-day, he was too emotional, and lived on his nerves. I
always think of him as a ship over-engined; when the driving-power is
working at full speed it shakes the ship to pieces.
One other weakness is marked in him, and that is that he could not
drink, could not carry his liquor like a man--to use our accepted
phrase. Hamlet thought drinking a custom more honoured in the breach
than in the observance; Cassius, Shakespeare's incarnation in "Othello,"
confessed that he had "poor unhappy brains for drinking": tradition
informs us that Shakespeare himself died of a "feavour" from
drinking--all of which confirms my opinion that Shakespeare was delicate
rather than robust.
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