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Duncan, Sara Jeannette, 1862?-1922

"A Daughter of To-Day"

Under the indirect influence of Kendal's regard
they softened.
"She always understood. It was a joy to show her anything.
She interpreted Bastien Lepage better than I--indeed that
is true--but only with her soul, she had no hands. Yes,
I loved her, and she was good for me. I drew three breaths
in her presence for one in her absence. And she has taken
herself away; even in her letter--I had a line too--she
was as remote as a star! I hope," continued Nadie, with
innocent candor, as she swung her little feet on the
corner of Kendal's table, "that you do not love her too.
I say prayers to _le bon Dieu_, about it. I burn candles."
"And why?" Kendal asked, with a vigorous twist of his
palette knife.
"Because you are such a beast," she responded calmly,
watching his work with her round cleft chin in the shell
of her hand. "That's not bad, you know. That nearest girl
sitting on the grass is almost felt. But if you show it
to the English they will be so shocked that they will
use lorgnettes to hide their confusion. Ah!" she said,
jumping down, "here am I wasting myself upon you, with
a carriage _a l'heure!_ You are not worth it," and she
went. After that it seemed to Kendal that he did not miss
Elfrida so much.


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