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Duncan, Sara Jeannette, 1862?-1922

"A Daughter of To-Day"

It was the same thing that would not permit
her to call Kendal "Jack," as several other people did,
though her Christian name had been allowed to him for a
long time. It made an awkwardness sometimes, for she
would not say "Mr. Kendal" either--that would be a rebuke
or a suggestion of inferiority, or what not--but she
bridged it over as best she could with a jocose appellative
like "signor," "monsieur," or "Mr. John Kendal," in full.
"Jack" was impossible, "John" was worse. Yes, with a
little nervous shudder, _much_ worse.
He told her about Paris to her fascination; she had never
seen it: about the boulevards and the cafes and the men's
ateliers, and the vagrant pathos of student life there--he
had seen some clean bits of it--and to all of this old
story he gave such life as a word or a phrase can give.
Even his repressions were full of meaning, and the
best--she felt it was the best--he had to offer her he
offered in fewest words, letting her imagination riot
with them. He described Lucien and the American Colony.
He made her laugh abundantly over the American amateur
as Lucien managed him. They had no end of fun over these
interesting, ingenious, and prodigal people in their
relation to Parisian professional circles.


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