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?© de, 1799-1850

"The Elixir of Life"


They had come to offer the customary condolence to the young
heir.
"Oho! is poor Don Juan really taking this seriously?" said the
Prince in Brambilla's ear.
"Well, his father was very good," she returned.
But Don Juan's night-thoughts had left such unmistakable traces
on his features, that the crew was awed into silence. The men
stood motionless. The women, with wine-parched lips and cheeks
marbled with kisses, knelt down and began a prayer. Don Juan
could scarce help trembling when he saw splendor and mirth and
laughter and song and youth and beauty and power bowed in
reverence before Death. But in those times, in that adorable
Italy of the sixteenth century, religion and revelry went hand in
hand; and religious excess became a sort of debauch, and a
debauch a religious rite!
The Prince grasped Don Juan's hand affectionately, then when all
faces had simultaneously put on the same grimace--half-gloomy,
half-indifferent--the whole masque disappeared, and left the
chamber of death empty. It was like an allegory of life.
As they went down the staircase, the Prince spoke to Rivabarella:
"Now, who would have taken Don Juan's impiety for a boast? He
loves his father."
"Did you see that black dog?" asked La Brambilla.
"He is enormously rich now," sighed Bianca Cavatolino.
"What is that to me?" cried the proud Veronese (she who had
crushed the comfit-box).


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